Cranborne Audio Camden 500 Mic Preamp with Mojo
19,900.00 ฿ 14,925.00 ฿
ปรีแอมป์ไมค์ Cranborne Audio Camden 500 Mic Preamp with Mojo
The Very Best Of Both Worlds
Camden 500 is the most astoundingly clean, linear, transparent preamp you’ve ever heard. But it also has “Mojo” – 2 discrete custom analogue saturation circuits that can be applied, exaggerated, and perhaps best of all – bypassed.
Key Feature
- Fully-discrete, transformerless design featuring our custom ‘Camden’ preamp topology designed by our Director of Engineering – Edward Holmes
- Optimised for and fully-compliant with the 500-series format
- Camden 500 is not a 19” unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform under the low-voltage power rails and supply current limitations of the 500-series format whilst delivering groundbreaking performance
- Performs at the near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
- EIN: <-129.5dBu, 150 ohm source, unweighted, <-135.5dBu, Inputs common, unweighted
- THD+N: <0.0004%, 1kHz, 35dB gain, 24dBu out
- Intermodulation Distortion: <0.0008%, 50Hz and 7kHz, 35dB gain, 20dBu out
- Phase Shift: <2.25°, 40dB gain, 20Hz to 20kHz, <4°, Max gain, 20Hz to 20kHz
- Freq. Response: <±1dB, <5 Hz to >200 kHz, all gain settings
- CMRR: >70dB, typ >85dB, 35dB Gain, 10-20kHz, 100mV Common mode
- Optimised input Impedance and input headroom for Mic, Line, and Hi-z sources
- Mic Preamp, Instrument Di, and – thanks to Mojo – line-level analogue saturator
- Custom ‘Mojo’ analogue saturation circuit with variable control, true bypass, and 2 discrete styles – Thump and Cream
- Reamp tracks from your DAW through Mojo to apply analogue saturation to your stems, VST, and stereo mixes
- Thump excites low-end content by boosting lower odd/even harmonics from a range of 160Hz to 20Hz and below
- Cream boosts odd/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming
- Gold Flashing on backplane contacts for increased conductivity and durability
- Designed & Engineered in the United Kingdom
Technical Specification
All specifications are typical performance unless otherwise noted. All specifications are subject to change at any time. Tested with Audio Precision APx555. | |
Minimum Gain:
Mic= 8dB, Line = 0dB, Hi-Z = 3dB |
Phase Shift:
<2.25° (40dB gain, 20Hz to 20kHz), <4° (max gain, 20Hz to 20kHz) |
Maximum Gain:
Mic = 68dB, Line = 60dB, Hi-Z = 63dB |
THD+N:
<0.0004% (1kHz, 35dB gain, 24dBu out) |
Input Impedance:
Mic= 8.9kOhms 48v Off, 5.4kOhms 48v ON, Line = 24.3kOhms, Hi-Z= 1.5MOhm unbalanced, 3MOhm balanced |
Intermodulation Distortion:
<0.0008% (50Hz and 7kHz, 35dB gain, 20dBu out), <0.0006% (50Hz and 7kHz, 35dB gain, 15dBu out) |
Max Input Level:
Mic = 17.6dBu (<0.003% THD), Line = 26.5dBu (<0.02% THD), Hi-Z = 24dBu (<0.02% THD) |
Hi-Pass Filter (HPF):
80Hz, -3dB, 12dB/Oct |
Output Impedance:
150 Ohms |
Current Draw:
120mA per rail – idle, 140mA per rail – typical use case |
Max Output Level:
27.5dBu (<0.002% THD, 30dB gain) |
CMRR:
>70dB, typ >85dB, 35dB gain, 10-20kHz, 100mV Common mode |
Equivalent Input Noise (EIN):
<-129.5dBu (150 ohm source, unweighted), <-131dBu (150 ohm source, A-weighted), <-135.5dBu (Inputs common, unweighted) |
Slew Rate:
20V/uS, 35dB gain, 25dBu out |
Frequency Response:
±0.25dB (<5 Hz to >200 kHz, 35dB gain), <±1dB (<5 Hz to >200 kHz, max gain) |
Dimensions (mm):
31.8/133.35/170.11 (w/h/d) |
ประเภท | Microphone Preamps |
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